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|Posté le: Sam 1 Juil - 22:58 (2017) Sujet du message: Freuds Trip To Orvieto The Great Doctors Unresolved Confr
<IFreud’s Trip to Orvieto[/I] is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired.” <BJohn Banville[/B], author of <IThe Sea[/I] and <IThe Blue Guitar[/I]<BR><BR>This is an ingenious and fascinating reading of Freud’s response to Signorelli’s frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty.” <BColm Tóibín[/B], author of <IBrooklyn[/I] and <INora Webster[/I]<BR><BR>After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli’s frescoes the greatest artwork he’d ever encountered; yet, a year later, he couldn’t recall the artist’s name. When the name came back to him, the images he had so admired vanished from his mind’s eye. This is known as the Signorelli parapraxis” in the annals of Freudian psychoanalysis and is a famous example from Freud’s own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues.<BR><BR>What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud’s biography. As he sounds the depths of Freud’s feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman.<BR><BR><IFreud’s Trip to Orvieto[/I] is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art’s singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires.<BR><BR><BNicholas Fox Weber[/B] is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the <INew Yorker[/I], <INew York Times[/I], <ILos Angeles Times[/I], <IWall Street Journal[/I], <ILe Monde[/I], <IARTnews[/I], <ITown & Country[/I], and <IVogue[/I], among other publications.
publisher: Bellevue Literary Press (May 9, 2017)
isbn: 1942658265, 978-1942658269,
weight: 1.6 pounds (